The Green Man

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Sun 05 May 2013, 17:18

The Green Man

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Gisterenavond zat ik wat rond te surfen en toen werd het plots groen.
Groenen mannen overal, door diverse culturen en tijdperken heen.
Een groene taal.
De groene mannetjes van Mars.

Ik ben zo vrij even het een ander aan elkaar te plakken van het internet;

Image

Wiki;

http://en.wikipedia.org/wiki/Green_Man
A Green Man is a sculpture, drawing, or other representation of a face surrounded by or made from leaves. Branches or vines may sprout from the nose, mouth, nostrils or other parts of the face and these shoots may bear flowers or fruit. Commonly used as a decorative architectural ornament, Green Men are frequently found on carvings in churches and other buildings (both secular and ecclesiastical). "The Green Man" is also a popular name for English public houses and various interpretations of the name appear on inn signs, which sometimes show a full figure rather than just the head.
The Green Man motif has many variations. Found in many cultures around the world, the Green Man is often related to natural vegetative deities springing up in different cultures throughout the ages. Primarily it is interpreted as a symbol of rebirth, or "renaissance", representing the cycle of growth each spring. Some[1][2] speculate that the mythology of the Green Man developed independently in the traditions of separate ancient cultures and evolved into the wide variety of examples found throughout history.

Image

Groene Taal;

http://www.jwmt.org/v1n4/readlight.html

Divination is one of man's oldest spiritual technologies, its origins lost in the shift from neolithic hunter-gatherers to settled agriculturalists. As the shaman developed into the priest, divination, along with all forms of spiritism, became codified into mythology. From a framework of mythic events and divination - literally readings of the divine - came language, which evolved over time into written forms based on the original symbolic elements. In turn, these symbolic elements became the focus of divinatory practices of their own, creating sub-sets of meaning within common words and phrases. From this intentional ambiguity arose the possibility of an initiate's language, a language of the birds, or, as it was expressed by the medieval initiates, the Green Language.
Although we can point to the Green Language in works as diverse as Midsummer Night's Dream and The Chymical Wedding of Christian Rosencruz, Nostradamus' quatrains, 18th century alchemical texts and surrealist manifestos, few authors have bothered to explain it. One who did was Fulcanelli, the enigmatic 20th century alchemist and philosopher, in his masterpiece The Mystery of the Cathedrals, published in Paris in 1926.[1] Here we have an authentic, although mysterious, voice of authority; one that was both master of the Green Language itself, and a master of the subjects usually hidden within it.


Het is lente, het is groen !
het is niet wat het lijkt,... het is veel erger
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Sun 05 May 2013, 19:01

Reading the Green Language of Light
by Vincent Bridges

Part One
Divination is one of man's oldest spiritual technologies, its origins lost in the shift from neolithic hunter-gatherers to settled agriculturalists. As the shaman developed into the priest, divination, along with all forms of spiritism, became codified into mythology. From a framework of mythic events and divination - literally readings of the divine - came language, which evolved over time into written forms based on the original symbolic elements. In turn, these symbolic elements became the focus of divinatory practices of their own, creating sub-sets of meaning within common words and phrases. From this intentional ambiguity arose the possibility of an initiate's language, a language of the birds, or, as it was expressed by the medieval initiates, the Green Language.


Although we can point to the Green Language in works as diverse as Midsummer Night's Dream and The Chymical Wedding of Christian Rosencruz, Nostradamus' quatrains, 18th century alchemical texts and surrealist manifestos, few authors have bothered to explain it. One who did was Fulcanelli, the enigmatic 20th century alchemist and philosopher, in his masterpiece The , published in Paris in 1926.[1] Here we have an authentic, although mysterious, voice of authority; one that was both master of the Green Language itself, and a master of the subjects usually hidden within it.



Roselyn Chapel music cube....


Image

Image


Image

http://www.crystalinks.com/music_cubes.html


It was also the "green language" of the Freemasons ("All the Initiates expressed themselves in cant," Fulcanelli reminds us) who built the art gothique of the cathedrals. Ultimately the "art cot," or the "art of light," is derived from the Language of the Birds, which seems to be a sort of Ur-language taught by both Jesus and the ancients. It is also mentioned in the Sufi text, entitled "The Conference of the Birds," by Attar the Chemist. In de Tassey's French translation of this work, which Fulcanelli references, the "conference" of the title is translated as "language." De Tassey goes on to explain the complex linguistic metaphor beneath the simple fable. Fulcanelli uses the same method to decode the alchemical meaning of the cathedrals.

http://www.jwmt.org/v1n4/readlight.html




Greenman en musiQ...




:P
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Sun 05 May 2013, 19:44

Nice topic Perm! Ik kende dit verschijnsel al, Abrakadaver heeft ook eens links geplakt. Je ziet deze afbeeldingen ook in NL heel af en toe.


Ik zag een beeld van The Green Man bij een Antieke Kunsthandelaar in Den Haag op website te koop aangeboden. Ik snel er achter aan; helaas al uitverkocht.
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Sun 05 May 2013, 22:45

Mooi pdf'je over de language of the birds:

“The reader (of ‘La
Vraie Celtique et la
Cromlech de Renneles-Bains’) needs to
speak she language
of the birds, to
understand the word
games of the phonetic
cabala, and to know
how to read the stars.
He must question the
Tarot and the Zodiac
to discover the secret
of Arcadia, hidden by
the Cromlech of
Rennes-les-Bains."
("Rennes le chateau,
Capital Secrete de
l'Histoire de France” -
Jean Pierre Deloux &
Jacques Bretigny)

"In early Arthurian sagas, Gawain the Green Knight is called Hawk of
May
"


http://www.innerlight.org.uk/journals/V ... ngbird.pdf

Hier nog "language of the birds: our angelic connection" te downloaden als pdf van William Henry, ook een aanrader:

http://www.resistance2010.com/forum/top ... philosophy
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Mon 06 May 2013, 01:56

The Old Testament refers to the ‘birds of heaven’ which come to rest on the branches of a tree in a strange dream of King Nebuchadnezzar. From this tree the king saw a “watcher” and a “holy one” from Heaven emerge. They told him to destroy the tree, and leave its ‘stump’ in the Earth. The “watchers” is another name for the Egyptian “divine beings” or “gods” NTR, or neter, which means “one who watches.” Neter-neter land is the name of the place in the stars where these beings dwell. An early Egyptian text says that Osiris, the green faced god of gardening and resurrection, will lead the souls of Earth into the green pastures and still waters of nefer-nefer or Neter-neter land. In modern times we know this green man best as Peter Pan, the green-tighted one, of the stories written by the Scottish author J.M. Barrie in 1911 and brought to life by Walt Disney. This story has terrified many young children and set their courses to Peter’s Never, Never Land.

In fact, there is a long tradition linking the alchemists
with the Language of the Birds. The fourth-century
Alexandrian alchemist Zosimus refers to the occult
Language of the Birds as the Tongue of the Angels.
This Language has many names: the Green Language,
Cant, and Argot, after the Argo, Jason’s ship. Each of
these terms are related to alchemy.

Though the origins of the alchemical term ‘the Green Language’ is unknown, it likely has something to do with Osiris, the green-faced Egyptian god of gardening.
William Anderson, author of the Green Man: The Archetype of our Oneness with the Earth, notes the Greeks recorded the Green Man (who is also called the Gardener in myths and scripture) was of extraterrestrial origins.

In Egyptian legend, Osiris, the Gardener, was said to have constructed that Garden of Eden, giving the power of its language to his son Thoth, the inventor of letters.
This means Osiris, the green faced one, was the original teacher of the Language of the Birds. These letters, or more precisely the tones, vibrations or frequencies behind these symbols, are said to be the building-blocks of Creation. This is why it is also known
as the Green Language
. Talk about power! An ancient Jewish legend indicates that if one were pure and holy enough, and understood the combination of the Hebrew symbols, one could create life and control the matter of the universe. One would be a master of Creation, a god-like being. Not only that, but the recovery of this language (as Jesus knew) would allow, among other things, re-entry to the Garden. Aha! This language, originally spoken by Osiris, provides the ‘open sesame’ for the gateway leading to the
Garden?

Uit Language of the Birds van William Henry
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Fri 24 May 2013, 14:20

The Mysticism of Sound, Music, The Power of the Word, Cosmic Language



PART I

THE MYSTICISM OF SOUND

CHAPTER I

THE SILENT LIFE


The Life Absolute from which has sprung all that is felt, seen, and perceived, and into which all again merges in time, is a silent, motionless and eternal life which among the Sufis is called Zat. Every motion that springs forth from this silent life is a vibration and a creator of vibrations. Within one vibration are created many vibrations; as motion causes motion so the silent life becomes active in a certain part, and creates every moment more and more activity, losing thereby the peace of the original silent life. It is the grade of activity of these vibrations that accounts for the various planes of existence. These planes are imagined to differ from one another, but in reality they cannot be entirely detached and made separate from one another. The activity of vibrations makes them grosser, and thus the earth is born of the heavens.



The mineral, vegetable, animal and human kingdoms are the gradual changes of vibrations, and the vibrations of each plane differ from one another in their weight, breadth, length, color, effect, sound and rhythm. Man is not only formed of vibrations, but he lives and moves in them; they surround him as the fish is surrounded by water, and he contains them within him as the tank contains water. His different moods, inclinations, affairs, successes and failures, and all conditions of life depend upon a certain activity of vibrations, whether these be thoughts, emotions or feelings. It is the direction of the activity of vibrations that accounts for the variety of things and beings. This vibratory activity is the basis of sensation and the source of all pleasure and pain; its cessation is the opposite of sensation. All sensations are caused by a certain grade of activity of vibration.



There are two aspects of vibrations, fine and gross, both containing varied degrees; some are perceived by the soul, some by the mind, and some by the eyes. What the soul perceives are the vibrations of the feelings; what the mind conceives are the vibrations of the thoughts; what the eyes see are the vibrations solidified from their ethereal state and turned into atoms which appear in the physical world, constituting the elements ether, air, fire, water and earth. The finest vibrations are imperceptible even to the soul. The soul itself is formed of these vibrations; it Is their activity which makes it conscious.



Creation begins with the activity of consciousness, which may be called vibration, and every vibration starting from its original source is the same, differing only in its tone and rhythm caused by a greater or lesser degree of force behind it. On the plane of sound, vibration causes diversity of tone, and in the world of atoms, diversity of color. It is by massing together that the vibrations become audible, but at each step towards the surface they multiply, and as they advance they materialize. Sound gives to the consciousness as evidence of its existence, although it is in fact the active part of consciousness an evidence of its existence, although it is in fact the active part of consciousness itself which turns into sound. The knower so to speak becomes known to himself, in other words the consciousness bears witness to its own voice. It is thus that sound appeals to man. All things being derived from and formed of vibrations have sound hidden within them, as fire is hidden in flint; and each atom of the universe confesses by its tone, ‘My sole origin is sound.’ If any solid or hollow sonorous body is struck it will answer back, ‘I am sound.’



Sound has its birth, death, sex, form, planet, god color, childhood, youth and age; but that volume of sound which is in the abstract sphere beyond the sphere of the concrete is the origin and basis of all sound.



http://www.spiritual-learning.com/messa ... .html#Part
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Fri 24 May 2013, 15:57

http://khidr.org/

"Khidr literally means 'The Green One', representing freshness of spirit and eternal liveliness, green symbolizing the freshness of knowledge "drawn out of the living sources of life." Whatever the source for this green may he, it has come to symbolize the benign presence of the divine wisdom as imparted by the Divine Himself to Khidr and to Prophet Muhammad.

Qur'?nic commentators say that al-Khidr ('The Green Man' of pre-Islamic lore) is one of the prophets; others refer to him simply as an angel who functions as a guide to those who seek God. And there are yet others who argue for his being a perfect wali meaning the one whom God has taken as a friend.

Khidr is associated with the Water of Life. Since he drank the water of immortality he is described as the one who has found the source of life, 'the Eternal Youth.' He is the mysterious guide and immortal saint in popular Islamic lore and the hidden initiator of those who walk the mystical path.

In the Islamic tradition Khidr is alive and well and continues to guide the perplexed and those who invoke his name. "

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Thu 13 Jun 2013, 02:35

‘The Green Man Is Back’

http://the-great-learning.com/pilgrim-n ... can-en.htm

‘’After 2000 years of oppression’’

Zeggeze. Ook zeggeze……

‘’After my visit the Vatican will never be the same anymore’’
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Thu 13 Mar 2014, 01:32

Bumperdebump. Ook alweer zo'n mooi topic. O0
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Thu 13 Mar 2014, 01:37

Morgen zal ik weer even wat verse foto's plaatsen in dit topic, ik heb er namelijk een paar mooie weten te maken...

Permo I miss you arround here man! Come back dude! ;)

Ik zal je eens bellen
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Mon 02 Jun 2014, 13:56

The Fool (Le Mat) - Unnumbered (Zero) Card: The unnumbered Fool card is usually considered to symbolize the god Hermes or Mercury. The ancient Greeks and Romans considered this god to take the role of mediator between the Olympian gods and men on Earth. He was the Psychopomp or guide to the souls of men. At various times, Hermes was also believed to assume the role of a "trickster god" or "holy fool," hence his association with the Joker or Fool card. Hermes usually was depicted as carrying the Caduceus; this was a staff with two snakes entwined around it in a double helix pattern similar to that of DNA. The Greeks associated Hermes with either the Egyptian god Thoth or the god Osiris. In Islamic lore, a personality similar to Hermes is described under the name of Al-Khidr (literally means "The Green One"). He is almost certainly cited in the Koran (see Sura XVIII) as the unnamed servant of God who initiates Moses into the mysteries and paradoxes of life. He also is similar to the Green Man of pagan religious lore.

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Fri 27 Jun 2014, 22:44

blackbox wrote:
Reading the Green Language of Light
by Vincent Bridges

Part One
Divination is one of man's oldest spiritual technologies, its origins lost in the shift from neolithic hunter-gatherers to settled agriculturalists. As the shaman developed into the priest, divination, along with all forms of spiritism, became codified into mythology. From a framework of mythic events and divination - literally readings of the divine - came language, which evolved over time into written forms based on the original symbolic elements. In turn, these symbolic elements became the focus of divinatory practices of their own, creating sub-sets of meaning within common words and phrases. From this intentional ambiguity arose the possibility of an initiate's language, a language of the birds, or, as it was expressed by the medieval initiates, the Green Language.


Although we can point to the Green Language in works as diverse as Midsummer Night's Dream and The Chymical Wedding of Christian Rosencruz, Nostradamus' quatrains, 18th century alchemical texts and surrealist manifestos, few authors have bothered to explain it. One who did was Fulcanelli, the enigmatic 20th century alchemist and philosopher, in his masterpiece The , published in Paris in 1926.[1] Here we have an authentic, although mysterious, voice of authority; one that was both master of the Green Language itself, and a master of the subjects usually hidden within it.



Roselyn Chapel music cube....


Image

Image


Image

http://www.crystalinks.com/music_cubes.html


It was also the "green language" of the Freemasons ("All the Initiates expressed themselves in cant," Fulcanelli reminds us) who built the art gothique of the cathedrals. Ultimately the "art cot," or the "art of light," is derived from the Language of the Birds, which seems to be a sort of Ur-language taught by both Jesus and the ancients. It is also mentioned in the Sufi text, entitled "The Conference of the Birds," by Attar the Chemist. In de Tassey's French translation of this work, which Fulcanelli references, the "conference" of the title is translated as "language." De Tassey goes on to explain the complex linguistic metaphor beneath the simple fable. Fulcanelli uses the same method to decode the alchemical meaning of the cathedrals.

http://www.jwmt.org/v1n4/readlight.html




Greenman en musiQ...




:P


podcast#39
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Mon 11 Aug 2014, 21:56

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Mon 06 Oct 2014, 20:42

Martin Martini in z'n Greem Man Badjas:

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rechtermuisknop -> open afbeelding in nieuw tabblad (voor grote versie met details)
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Tue 07 Oct 2014, 00:34

LOL

Lekker bezig zo !

Hier om de hoek bij een antiekzaak ligt een grote keystone met een greenman erop.

Stevig blok steen, moet 250,- opbrengen.
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